15 Days of Luxury Studio Production. Engineered Solo in 3 Days.
Two distinct spec campaigns created specifically for BENO Dubai — uniting
Land, Sea & Air brand storytelling with a custom Agentic AI + Live Adobe MCP
production pipeline. Concept, script, AI cinematography, 3D optical typography, rotoscoping, and
-14.0 LUFS sound design executed end-to-end by one creator.
Film 01 · 9:16 Flagship Commercial1080×1920 · 38s · 24fps
0:00 / 0:38
“BENO: The Way To Go”
Photorealistic luxury reel built around locked digital brand ambassadors, C1 seamless vehicle morphs,
94-frame Apple Vision foreground roto mattes, 16-bpc optical-blend 3D typography, and a
220Hz → 20kHz underwater-to-sky broadcast sound mix.
Editorial Riviera flat-vector promo proving multi-style mastery: engineered around an
11-panel geometric bridge-frame system for zero-glitch scene morphs, Illustrator + After Effects
MCP kinetic rigging, and a 24-stem bespoke Foley & music mix.
15d → 3d
5× Campaign Velocity
Agency 2-week multi-vendor cycle compressed into 48–72 hours in-house.
6-in-1
Full-Stack Production Studio
Research · Copy · AI Direction · 3D Motion · Vision Roto · Broadcast Audio.
One Hire. An Entire AI-Native Production Department.
BENO markets five high-ticket verticals simultaneously — Supercars, Yacht Charters, Helicopter Tours, Desert Buggies,
and the A320 Private Jet. Traditional shoots bottleneck growth; an internal Agentic AI + Adobe MCP studio turns
every new offer into broadcast-ready creative within 72 hours.
Locked persistent brand ambassadors across 32 2K plates and directed C1-continuous vehicle morphs across Dubai asphalt, dunes, sea, and sky.
ROLE 04 · COMPUTER VISION VFX
Automated Roto & Depth Artist
Built a custom Swift + Apple Vision pipeline extracting 94-frame sub-pixel foreground mattes automatically — zero manual pen-tool roto.
ROLE 05 · FINISHING & DESIGN
Senior 3D Motion Designer
Programmed 16-bpc frameless optical-blend typography (MULTIPLY / LINEAR_BURN) and physics overshoot rigs live inside After Effects via MCP.
ROLE 06 · EDIT & BROADCAST DSP
Online Editor & Sound Mixer
Assembled frame-accurate cuts via Premiere Pro MCP and mastered 4-stem / 24-asset Foley mixes at -14.0 LUFS with dynamic frequency sweeps.
Forensic Craft Breakdown
Why Neither Film Looks Like “Generic AI Video.”
Most AI videos fail on flat pasted text and hallucinated transitions. Drag the interactive slider and inspect the
bridge keyframes below to see how native Adobe compositing and computer vision turn raw AI generation into agency-grade finishing.
Designed on an archival warm-ivory canvas with strict 15% outer motion margin so camera push-ins and badge transitions
never clip typography across desktop or mobile placements.
220Hz → 20kHz
Butterworth underwater dunk to sky sweep (Film 01)
Instead of manually bouncing files between disconnected apps, my AI agents control Adobe After Effects,
Premiere Pro, Illustrator, computer-vision rotoscoping, and sound mastering directly through live
Model Context Protocol (MCP) bridges. Click any node below to inspect what it automates.
Why Trust Me With BENO’s Brand
12+ Years of Theatrical Finishing & Enterprise Leadership — Supercharged by AI
AI tools alone do not create luxury taste. My foundation was forged finishing ₹100+ Crore theatrical Bollywood
trailers on Autodesk Smoke, leading executive brand teams for India’s top institutes, and deploying enterprise AI video pipelines.
Present · Publicly Listed PropTech
Aurum PropTech (NSE: AURUM)
Asst. Manager — Motion Graphics & AI Content
Spearheading the end-to-end Agentic AI + Adobe MCP video production pipeline across a 7M+ sq. ft.
luxury & enterprise real-estate ecosystem — delivering campaign films, UI walkthroughs, and social assets solo at studio scale.
6 Years · Times of India Group
TimesPro
Video Team Manager (Led 5-Person Studio)
Directed high-converting executive campaigns for 9 IIMs & 5 IITs. Honored with
4 growth & excellence awards and engineered the highest paid-campaign CTR creative across performance marketing channels.
Theatrical Cinema Foundation
Wizardry Studios
Online Editor & Finishing Artist (Autodesk Smoke)
Online editing, optical compositing, and theatrical trailer finishing for major box-office releases including
102 Not Out, October, Bareilly Ki Barfi, Indu Sarkar, and Nawabzaade.
What My First 30 Days at BENO Look Like
Days 01 – 10 · Brand & Fleet Vault
Build BENO’s Digital Twin Library
Lock consistent photorealistic twins for BENO’s signature Supercars, Yachts, Helicopters, Buggies, A320 Jet, and brand talent in Dubai lighting.
Days 11 – 20 · 48-Hour Ad Engine
High-Velocity Paid Social & Launch Reels
Deliver weekly multi-aspect creative batches (9:16 Reels/TikTok, 16:9 YouTube, 1:1 Paid Meta) engineered for scroll-stop CTR and app bookings.
Days 21 – 30 · Scalable MCP Rigging
Reusable Editable Adobe Templates
Deploy modular .AEP & .PRPROJ MCP rigs so seasonal offers (AED 15K Gift, Winter Charter, F1 Abu Dhabi, Ramadan) ship in hours.
✈Open to Relocate to Dubai (JLT / DIFC) · Or Immediate Remote Start
Let’s Build BENO’s In-House AI Creative Engine.
Available for a focused 15-minute conversation with BENO’s leadership — including a live screen-share walk-through of the
After Effects & Premiere Pro MCP automation behind both films above.